![]() In 2010 I began to convert the original by-hand transcription into In the Garden Room Restaurant of Abraham & Strauss (a department store) It’s her bluesy jazz feeling that imbues this piece, as inĪll her music, with an inimitable sound that is uniquely hers.Ĭonnecticut in 1978 and sent a copy of it to Mary Lou in a letter I wrote Larry Gales wrote Rosa Mae with a rock beat in the bass line While studying with her, Mary Lou told me that in 1974, she and When I first posted Rosa Mae, it was May 8, 2010, the one-hundredthīirth. ![]() Included for both pages of the original key of B transcription as well Note to Kind of Blue, MasterSound Edition, Columbia CKĪs the pitch was between B flat and B on the Columbia LP I worked from Here for the first time, using the safety tapes. Macero, the speed change was not intentional, and it is corrected Of Blue - “So What,” “Freddie Freeloader,”Īnd “Blue in Green” - is about a quarter-tone sharp,Īnd wondered what Miles could have had in mind. Years, many musicians have noticed that the first side of Kind ![]() Slightly faster - sharper - than the April 6 session. Tapes were played back at the correct speed, the music was Sessions, the master machine was running slow, so that when the Machines simultaneously, a master and a safety. MasterSound edition is quoted on page 84:Ĭolumbia’s recording policy at that time was to run two tape Segment of the liner notes from the Kind of Blue 1992 Decades later, Iīill Evans: How My Heart Sings by Peter Pettinger (Yale University Press, 1998) where a On “Freddie Freeloader” from Miles Davis’ I left Berklee after one year and moved to New Haven,Ĭonnecticut, where I began transcribing segments of piano recordings
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |